By: frency
Since approximately 1997 or 1998 we have been feeling a process of minimalization in the production of visual Art that has been in accordance with certain reactions to the cultural excesses of identity order characteristic of a part of Cuban Art since the end of the eighties and during a good part of the nineties. This “saying” more with less, looking for moderation in order to strip ourselves of unnecessary elements in the expressive sense…
By: Ismael Gonzáles Castañer
Location
Popular music is our true representation before the world, not literature or art; “No se puede tapar/ el sol con un dedo/ la verdá(d) es la verdá(d) / mala-cara no quiero”, by N(new) G(generation) the Band, inaugurates the Cuba not only aesthetic of the 90’s…
By Rito Ramón Aroche
That. Writing as a sign of deterioration… Painting. Paint that drips or stains – and doesn’t mirror. Already – not – mirrors. The writing (…) And there are some thickening, strata. Inclinations. E. B. says -he says us- and scribbles. He knows, or-does-not-know, that articulates. I remember Camus:<...we must break the fixed games of the mirror...>> That. A pantry that delimits a trace, a face -a Christ?- a certain telurgy…
